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AËLA's avatar

The surgeon's mistake

was not the amputation.

It was advising him

to look away

from what remained.

That is how wounds

learn to fester

in secret.

— AËLA

Dipti  Vyas's avatar

This poem leaves the body behind and walks straight into the machinery of empire. The crocodile takes the hand, but it is the surgeon who reveals the deeper amputation: the severing of humanity from the act of conquest, the wound from the story we tell about it. And that grotesque little trophy hanging from the neck; what a brilliant, horrifying image of empire: mutilation turned into memorabilia, suffering renamed glory, theft baptised civilization.

The phantom itch at the end feels almost metaphysical, the body remembering what the mind has been instructed to forget. We can amputate the limb, bury the wound, build walls around the memory, and call the ruin progress. But what is severed from the body is not necessarily severed from consciousness.

The hand may be gone.

The reckoning remains.

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